Searching over 5,500,000 cases.

Buy This Entire Record For $7.95

Download the entire decision to receive the complete text, official citation,
docket number, dissents and concurrences, and footnotes for this case.

Learn more about what you receive with purchase of this case.

Teespring, Inc. v. Puetz

United States District Court, N.D. California

March 13, 2017

TEESPRING, INC., Plaintiff,


          VINCE CHHABRIA United States District Judge

         Teespring seeks a declaration in this case that it did not infringe Bradley Puetz's copyright entitled "I'm the Infidel Allah Warned You About" when it sold apparel with a design uploaded by Jonathan Maginnis. Puetz seeks damages and an injunction against Teespring for direct and vicarious infringement and against Maginnis for direct infringement. Now that discovery has closed, Teespring and Maginnis have brought motions for summary judgment, arguing that Puetz cannot show copyright infringement. Puetz has moved for temporary restraining orders or preliminary injunctions against Teespring and Maginnis.

         Summary Judgment on Direct Infringement

         Summary judgment is denied to Teespring and Maginnis. To succeed on a claim of direct copyright infringement against Teespring or Maginnis, Puetz must prove he owns a valid copyright in his design and Teespring or Maginnis copied protected elements of the design. Three Boys Music Corp. v. Bolton, 212 F.3d 477, 481 (9th Cir. 2000).

         Puetz's copyright registration is prima facie evidence of ownership, but Teespring contests precisely what Puetz owns, arguing that most of the design is not protectable. See Syntek Semiconductor Co., Ltd. v. Microchip Tech. Inc., 307 F.3d 775, 781 (9th Cir. 2002); Shaw v. Lindheim, 919 F.2d 1353 (9th Cir. 1990), as amended on denial of reh'g (Nov. 23, 1990). Teespring observes that some of the individual elements of Puetz's design are not protectable. See Mattel, Inc. v. MGA Entm't, Inc., 616 F.3d 904, 913 (9th Cir. 2010), as amended on denial of reh'g (Oct. 21, 2010); Alpi Int'l, Ltd v. Anga Supply, LLC, 118 F.Supp.3d 1172, 1176-77 (N.D. Cal. 2015). For example, the parties agree that the slogan "I'm the infidel Allah warned you about" is not copyrightable on its own. It is appropriate, however, to consider the full array of elements (including combinations of otherwise unprotectable elements) involved in the creation of the two designs. See Swirsky v. Carey, 376 F.3d 841, 849 (9th Cir. 2004), as amended on denial of reh'g (Aug. 24, 2004); Three Boys Music Corp., 212 F.3d at 485; Baxter v. MCA, Inc., 812 F.2d 421, 425 (9th Cir. 1987), as amended (May 11, 1987). The Ninth Circuit has observed the wide range of expression possible in a drawing. Mattel, 616 F.3d at 916. Consistent with his copyright registration, Puetz asserted in his deposition that "[t]he copyright infringement claim is based on the design as a whole." Gray Decl. Ex. B, 52:15-16. "It's the arrangement and the presence. All the aspects that make the design an original piece of art are present in the Maginnis design." Gray Decl. Ex. B, 77:7-9.

         Because he does not have direct evidence that Maginnis copied his design, Puetz must show that Maginnis had access to his design and that Maginnis's design is substantially similar to his design. Three Boys Music Corp., 212 F.3d at 481. Alternatively, Puetz may carry his burden on copying by showing that the designs are strikingly similar. See Id. at 485; Seals-McClellan v. Dreamworks, Inc., 120 F.App'x 3, 4 (9th Cir. 2004); Baxter, 812 F.2d at 423-24; 4 Nimmer on Copyright § 13.02[B] ("At base, 'striking similarity' simply means that, in human experience, it is virtually impossible that the two works could have been independently created."). On summary judgment, courts use an "extrinsic" test to assess the similarity of works. Funky Films, Inc. v. Time Warner Entm't Co., 462 F.3d 1072, 1077 (9th Cir. 2006). The extrinsic test is an "objective comparison of specific expressive elements" and focuses on the "articulable similarities" between the works. Cavalier v. Random House, Inc., 297 F.3d 815, 822 (9th Cir. 2002).

         Striking similarity can satisfy the access and substantial similarity requirements for copyright infringement because, when two designs are strikingly similar, a jury may infer that the alleged infringer had access to the copyrighted work. See Three Boys Music Corp., 212 F.3d at 485 ("[I]n the absence of any proof of access, a copyright plaintiff can still make out a case of infringement by showing that the songs were 'strikingly similar.'"); Baxter, 812 F.2d at 424 n.2 ("Proof of striking similarity is an alternative means of proving 'copying' where proof of access is absent."); Alpi Int'l, 118 F.Supp.3d at 1180; accord Copyright Infringement - Copying - Access Defined, Manual of Model Civil Jury Instructions for the District Courts of the Ninth Circuit (2017) ("Access may be shown by . . . a similarity between the plaintiff's work and the defendant's work that is so 'striking' that it is highly likely the works were not created independent of one another . . . ."). Cases discussing access in the context of striking similarity typically do so by way of illustrating just how striking the similarity between the protectable elements of the works must be to give rise to the inference of access. See, e.g., Briggs v. Blomkamp, 70 F.Supp.3d 1155, 1167 (N.D. Cal. 2014); Bernal v. Paradigm Talent & Literary Agency, 788 F.Supp.2d 1043, 1052 (C.D. Cal. 2010). But see Stewart v. Wachowski, 574 F.Supp.2d 1074, 1098-1103, 1098 n.118 (C.D. Cal. 2005).

         A reasonable jury could find that Puetz's and Maginnis's designs are strikingly similar. Although, as Teespring has pointed out, some of the individual elements of the designs may be common and unprotectable, the feel and look of the two designs, reached through a series of design decisions, would support a finding of striking similarity.

(Image Omitted.)

         The two designs include all of the same design elements with no distinct design elements. The clarity, realism, and detail in the designs are similar (and contrast with Maginnis's prior designs). Both skulls have furrowed, accentuated brows and enlarged eye sockets. Both designs place the Arabic word for "infidel" in monochromatic cursive on the forehead of the skull. Both designs include the phrase "I'm the infidel Allah warned you about, " with "I'm the infidel" wrapping around the skull and curving less than the skull. Both designs use smaller font for "Allah warned you about" and break the phrase between the words "infidel" and "Allah." The fonts chosen for the all-capital-letter English text are similarly textured. Again, while Puetz has disclaimed a copyright claim based on some of these elements in isolation, he emphasized at his deposition that his claim is based on these choices and others in combination. See Gray Decl. Ex. B, 44, 75, 77. And the argument for the similarity of the works is bolstered by Teespring's own emails to Maginnis. Puetz Suppl. Decl. Ex. 1.[1]

         Maginnis and Teespring may present evidence that Maginnis independently created his design and therefore did not infringe. See Three Boys Music Corp., 212 F.3d at 486. But Maginnis's evidence of independent creation is not strong enough to entitle him to summary judgment because a reasonable jury could conclude, particularly given the striking similarity between his design and Puetz's design, that Maginnis copied Puetz's design.

         Vicarious Copyright Infringement

         Summary judgment is also denied to Teespring on vicarious copyright liability. To succeed on a claim of vicarious copyright infringement liability, Puetz must prove that Maginnis infringed Puetz's design, Teespring exercised control over Maginnis's conduct, and Teespring benefitted financially from Maginnis's infringement. Perfect 10, Inc. v., Inc., 508 F.3d 1146, 1173 (9th Cir. 2007), as amended (Dec. 3, 2007). The issue of direct infringement by Maginnis is discussed above. And Teespring does not dispute that it derived a direct financial benefit from Maginnis's alleged infringement.

         To establish Teespring's control, Puetz must show that Teespring had "both a legal right to stop or limit the directly infringing conduct, as well as the practical ability to do so." Id. Unlike in Perfect 10, in which the direct infringement was on third party websites and Google Image Search just reflected the infringing images on those websites, the alleged infringement here was on Teespring's website. Teespring can (and did in this case) remove listings from its website. That is one of its primary arguments against a preliminary injunction or temporary restraining order. Maginnis's potential ability to infringe elsewhere does not preclude a finding of control. See Id. at 1173-74; A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004 (9th Cir. 2001) ...

Buy This Entire Record For $7.95

Download the entire decision to receive the complete text, official citation,
docket number, dissents and concurrences, and footnotes for this case.

Learn more about what you receive with purchase of this case.